We recommend watching them on a compatible display for the best experience.
#Portrait professional 12 portable pro
We uploaded the iPhone 12 Pro HDR videos that use HLG Dolby Vision technology to Youtube without alteration. (HEIF is very similar to JPEG, but provides better compression for similar image quality, so the conversion makes the sample image file sizes larger than they were when shot.) We also captured the original images using the new HEIF (High-Efficiency Image Format), but then converted them to very high-quality JPEGs for viewing in standard browsers and image editing software. This can slightly reduce the richness of color in some cases from what you would see when viewing the original images on a DCI-P3-calibrated display with appropriate software. DCI-P3 is newer and larger than the sRGB color space that most devices use, so to ensure that the images we used in the review display properly on a wide variety of browsers and devices, we converted the originals from DCI-P3 to sRGB.
Dynamic range is wide, exposure and color are accurate, and detail is excellent in bright light, though it drops quite a bit when the lights dim. Video is also strong, especially if you have a way to play back the Dolby HDR videos that the front camera can capture.
Noise is higher than ideal, though, and if you like to take selfies in extremely low light levels, you need to know that flash performance is poor. Heavy users of portrait mode will appreciate the convincingly simulated shallow depth of field in portraits, helped by the SL sensor. Shooting stills, the iPhone does well with the basics, with accurate exposure, nice colors, and lots of detail across all lighting conditions. However, that SL sensor is an ace up its sleeve, and Apple has clearly done a lot to extract as much performance from the camera as possible, with largely satisfying results. There’s a lot of hardware innovation happening in front cameras, and with its fixed-focus lens and small sensor, the iPhone’s camera module does not look particularly cutting-edge on paper. The iPhone 12 Pro’s front camera holds its own, though it’s not quite in the same league as the best we’ve tested. Samsung Galaxy S20 Ultra, outdoor video Conclusion The Samsung reference device remains above the fray as soon as the lights drop from bright 1000 lux levels.
From there the slope of degradation flattens a bit, so that at 10 lux the iPhone 12 Pro is comparable to the Huawei (itself an admirable video performer), and by a near-dark 1 lux actually betters it. The chart below tells the story of the detail levels in the iPhone’s 4K front camera videos, which start at an excellent 90% acutance in bright light but have dropped precipitously by 100 lux (normal indoor conditions). Detail levels are high in bright light, though they fall a bit when things get dim.
#Portrait professional 12 portable skin
Skin tones are nicely rendered and white balance is generally correct. Dynamic range is indeed quite wide, nicely preserving highlights and shadows even in scenes with high brightness, though testers noted some instability in tone mapping. The iPhone 12 Pro’s front video performance is generally strong. Samsung Galaxy S20 Ultra, HDR video scene